Showing posts with label Beef. Show all posts
Showing posts with label Beef. Show all posts

Friday, March 05, 2010

"Well-Done" Steak? Please.

How do you like your steak? The answer is medium-rare. Maybe rare. There is no other answer. A well-done steak is a misnomer: there is nothing "well-done" about it; there is nothing steak-like about it. A well-done steak is no longer a steak. It's an "edible substance." Don't get me wrong. I do not consider a well-done steak edible. Some do, though. Dogs, for example.

Do you "prefer" your steak well-done? If so, you should know: cooks hate you. And happily, science justifies this hatred in several ways.

First, steak is prized, above all else, for its juiciness. In On Food and Cooking, Harold McGee writes:

"Food Scientists who have studied the subjective sensation of juiciness find that it consists of two phases: the initial impression of moisture as you bite into a food, and the continued release of moisture as you chew. Juiciness at first bite comes from the meat's own free water, while continued juiciness comes from the meat's fat and flavor, both of which stimulate the flow of our own saliva."

Well-done steak is almost devoid of what McGee calls "free-water"--or juices. McGee writes elsewhere: Well-done steak has "nearly all of its proteins denatured, is frankly stiff to the touch, little juice is apparent, and both juice and interior are a dull tan or gray."

Little juice is apparent. Quite simply, a well-done steak has no "initial impression of moisture" and "no continued release of moisture."

Second, steak is prized for its flavor. Cooking, of course, intensifies the flavor and aroma of food. Specifically, in steak, what is called the Maillard Reaction or "browning reaction" (the crust on a steak), might account for as many as six hundred flavor components. These components are present in well-done steak and certainly contribute to the "taste" of a well-done steak. And, in theory, because it is cooked longer, a well-done steak might have a deeper Maillard Reaction than a rare or medium-rare steak.

However, taste is very complex. The deliciousness of a steak comes from a variety of aromas and flavors, from the crust to the middle. Juiciness and tenderness are very important. Well done meat might have a deeper Maillard Reaction, but it misses many other flavor components. The ideal steak boasts tremendous flavor from a browned crust and a tender, juicy interior. This is why people who like the taste of food like medium-rare steak.

Third, it's a well-known fact that cooking meat at high temperatures creates unhealthy chemicals such as HCAs and PAHs. The longer you cook a steak the more unhealthy chemicals are produced. A recent study even showed that those who eat well-done steak are 60-70% more likely to develop pancreatic cancer then those who eat medium-rare steak.

The notion that "undercooked" meat is somehow unhealthy is nonsense. Yes, most meats must be cooked to 160 degrees or higher to guarantee the rapid destruction of bacteria, but bacteria do not exist inside intact steaks or chops. Bacteria exist on the outside of meat, and these bacteria are easily killed in searing. (Incidentally, ground beef is more risky because the interior and exterior have been commingled).

Of course, there are other, very important factors that determine the health value of steak, even beyond how it’s cooked. For example, conventional meat is loaded with pesticides, hormones, antibiotics and other chemicals. A far better choice is all-natural beef; better yet, grassfed beef.

As a human, I know I should not condemn a person for a simple preference. But I will say, as a cook, I have a very hard time not strongly disliking the person who orders a well-done steak. Perhaps "hate" is a strong word. But if you "prefer" your steak well-done you really should know: some cooks really do hate you. Or maybe not. Anthony Bourdain puts it this way in Kitchen Confidential:

"So what happens when the chef finds a tough, slightly skanky end-cut of sirloin that's been repeatedly pushed to the back of the pile? He can throw it out, but that's a total loss. He can feed it to the family, which is the same as throwing it out. Or he can "save for well-done"—serve it to some rube who prefers his meat or fish incinerated into a flavorless, leathery hunk of carbon, who won't be able to tell if what he's eating is food or flotsam. Ordinarily, a proud chef would hate this customer, hold him in contempt for destroying his fine food. But not in this case. The dumb bastard is paying for the privilege of eating his garbage! What's not to like?"

The Perfect Pan-Seared Steak

This recipe combines time-tested methodology with intuitive logic. The result: a perfectly seared steak, cooked to medium-rare. I wait until after cooking to add salt and pepper; salting brings moisture to the surface of the meat and might interfere with browning.

2 boneless strip or rib-eye steaks (1 to 1 1/4 inch thick; about 8 ounces)
Sea salt and fresh ground pepper, for finishing
2 tablespoons extra virgin olive oil or raw butter, for finishing

Remove your steaks from the refrigerator 30-60 minutes before cooking.

Heat a heavy-bottomed 12-inch skillet over high heat until hot. Gently place the steaks in the pan, leaving a 1/2 space between the steaks. Reduce the heat to medium-high and cook until steak is well-browned, about 4 minutes. Using tongs, flip the steaks and continue to cook for 4 minutes until steak is medium-rare.

Transfer the steaks to a cutting board. Spread 1 tablespoon olive oil or butter over each steak. Let rest for five minutes. Before serving, season liberally with sea salt and fresh ground pepper.

Saturday, September 29, 2007

Memorias Criollas

Sunday morning in Buenos Aires. We peel ourselves out of bed at 11. We've landed five hours ago. Drunk. We step out onto Moreno, into the quintessential smell of Sunday – burning wood, warming grills.

We walk five blocks past the lightly curled smoke floating up from concrete backyards, balconies and empty lots and take the subway up to Dorrego. We catch the 176 at Chacarita, pass the tombs of Juan D. Peron and Carlos Gardel, roll through the endless Pampas of the residential neighborhoods that almost seamlessly join capital to the province. It’s been an hour since we left home. We are now in provincial San Martín, with its low houses and endless horizon. The occasional tethered horse looks up from the chopped up sidewalk at the bus rumbling down the pockmarked streets. Evita looks on from murals.

We get off the bus on the corner by the gas station. A ring of the doorbell quickly wraps us up in the bustle of preparations for the Sunday afternoon feast. This fire, like other fires all over the country, has been going since 11. It’s now one o’clock and the meat still hasn’t been laid on the grill. But salads are being prepared and an aperitif is being shared in the quincho as we keep the asador company and wait for the fire. A bit of cheese, a finger or two of whiskey, a fernet with Coke and glass of red wine clear the haze from our heads. Occasionally, we're interrupted by the bell. The ringing of the bell is always met with frantic excitement.

Who’s got the keys? It’s Mauro! Let him in. Where are the keys? ¡Hola tío! ¿Qué tomás?

We watch the fire. There will be no five minute steak this afternoon; no three minute cheeseburger. The centerpiece of the hedonistic ritual we share is Argentine beef, which stakes claim to being the best in the world. The cattle in Argentina are not factory raised. They are raised as cattle should be. They walk free, feed on grass, mature at nature’s pace, not man’s. There are no hormones; no anti-biotics. This is not “free-range”; not “organic”. It is just the way it is. Argentinian cattle represent a way of life, a way of living and eating and drinking, that, in America, seems to have been sacrificed to the bottom line and molded to fit our busy schedules. Here, quality still takes preference over quantity.

A life of gauchos and fire pits; lonely guitars and shared mates. This is food that nourishes a country. Argentina consumes more beef per capita than any other country in the world. This meat is the Argentine feeding off the land; Borges connecting with the gaucho.

The fire is ready. Glowing embers fall from its ripe flame. Now the meat can be placed on the grill. It is to be slow cooked, over the red hot embers. It will take a long time. Cuts are placed and moved along the length the grill according to cooking time, taken off as they are ready to eat. Achuras first. Now on my third glass of wine, I am handed a choripan. I open it and paint the chorizo with chimichurri. I apply the chimichurri with a paintbrush. It is the lead in to what is about to take place. We all take our seats and the feasting begins.

Chorizo and morcilla lead the way. Chinchulines and molleja. The asador (he who grills) dashes to and from the large grill. He eats standing over the smoking embers, cutting his meat directly on the heated iron. This entire ritual stems from him and his dance is too important for him to cease. As he moves between the grill and the table, he eyes our plates. For the next hour, they will never be empty. He knows how each one likes his meat.

Andrés likes it rare and is served first.

Gogui prefers it medium and waits a bit longer.

He knows who starts with morcilla and who ends with it; who smears it on bread and who prefers it alone.


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The asador at work

The meat is eaten from wooden plates, unadorned. No marinades, no sauces, no side dishes. A bit of salt before it is placed on the grill. The salads are served on glass plates, though the truly meat-minded eat only from wood. The wine pours into glass after glass and the corks are saved. We eat our meat. We raise our wine and spill our glasses, dabbing it on our foreheads for good luck. ¡Un aplauso para el asador! There’s a round of applause. We all clap and lift our wine. A toast is made. Then another.

Atahualpa Yupanqui accompanies us on his guitar. Ana’s father used to love him. Ana’s father, who played with his trio of tango on Uruguayan radio. Live, like they used to. Everyone said he sang better than Gardel.

Atahualpa Yupanqui sang too. And with purpose. He sang of poverty and freedom; the gaucho and revolution. The perfect accompaniment to the small revolution that we all take part in each Sunday. We defy the gods and stop time. Today the sacrifice is not ours to make; it is ours for the taking. For us to grill and smother in chimichurri, to be washed down with red wine and laughter and the occasional milonga.

Chimichurri

½ cup olive oil
1/4 cup red wine vinegar
1/4 cup white onion, finely minced
4 cloves fresh garlic, minced
1 cup fresh parsley leaves, minced
1 teaspoon crushed red pepper
1 ¼ teaspoon salt
freshly ground black pepper

Mix all ingredients and let stand at room temperature until the flavors meld, about 30 minutes, and up to 8 hours. The sauce can be refrigerated in a tight container for two weeks.

Apply with a clean (preferably unused) paintbrush to meat, chicken, baked potatoes or grilled vegetables.